These LED -neon works channel a personal and cultural yearning—one steeped in the performance of desire as both spectacle and subversion. They sell, all night, a sanitized, saccharine eroticism engineered not to unsettle: a palatable femininity for the delicate male gaze. Yet beneath the glossy surface simmers something more unruly—a monstrous desirability that refuses containment. The bitch, the succubus, the figure with sharp teeth and aberrant limbs emerges as an alternate iconography of want.

By appropriating a medium long-entrenched in the visual lexicon of commodified femininity—flashing GIRLS GIRLS GIRLS—these pieces turn the language of seduction back on itself. In doing so, they articulate the subterranean currents of female rage, desire, and resistance: the unspoken scripts, the necessary fictions, and the insistent gaze returned.